In undertaking research for a recent exhibition, Richard Pousette-Dart’s photographic negatives proved to be an exciting resource for new information about the artist’s working environments and artistic practice.
From 1979 through the early 1980s, Richard Pousette-Dart embraced printmaking as part of a lifelong effort to enrich and enlarge his aesthetic vocabulary, fostering an ongoing conversation among all parts of his artistic practice.
Meditation on the Drifting stars remains one of Pousette-Dart’s most mysterious and breathtaking works.
