Hand-cut brasses

Undated
Dimensions variable, between 2 ¾ and 7 in. high

Simple geometric and reduced organic forms fascinated Richard Pousette-Dart. Between 1939 and the late 1980s he created several hundred jewel-like brass sculptures and sketched designs for them in his notebooks.  Small hooks were added to some, enabling them to be worn as pendants, and many were crafted for specific individuals. Importantly, the aesthetic qualities embodied by these brasses ­– circles, spirals, teardrops and more complex designs – often served as elemental imagery within his painting, combined and layered into interlocking compositional components.

Additional Images
  • Exhibition announcement, Brasses and Photographs, Betty Parsons Gallery, New York, NY, 1948. – The Richard Pousette-Dart Foundation
    Exhibition announcement, Brasses and Photographs, Betty Parsons Gallery, New York, NY, 1948.

    Exhibition announcement, Brasses and Photographs, Betty Parsons Gallery, New York, NY, 1948.

  • Evelyn Pousette-Dart wearing a brass. – The Richard Pousette-Dart Foundation
    Evelyn Pousette-Dart wearing a brass.

    Evelyn Pousette-Dart wearing a brass.

  • Installation view, Richard Pousette-Dart: Beginnings, Kettle's Yard, University of Cambridge, United Kingdom, 2018. – The Richard Pousette-Dart Foundation
    Installation view, Richard Pousette-Dart: Beginnings, Kettle's Yard, University of Cambridge, United Kingdom, 2018.

    Installation view, Richard Pousette-Dart: Beginnings, Kettle's Yard, University of Cambridge, United Kingdom, 2018.